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Audiovisual Digitisation

Digitising video, sound and film collections

Collection Management - SmartARC

Enabling discovery, use, and reuse of your digitised collections

Content Modernisation

Improving content through digital restoration, conversion, and enrichment

Data Migration

Saving files from obsolete drives, discs, and digital carriers

Digital Preservation

Keeping digital files organised, authentic, and ready for the future

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Broadcast & Production

Technical workflows for ingest, archive, restoration, and re delivery

Education

Support teaching and research with accessible, well-described collections

GLAM Sector

Digitise, preserve, manage, and provide access to cultural collections

Government and Corporate

Secure, compliant services for records, risk, and long-term access

Sport

Preserve, manage, and activate sporting archives for reuse and rights

Small Archives & Organisations

Right-sized services for smaller collections, budgets, and teams

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Access and Preservation

Keep content secure, organised, and ready to use

Artwork Collections

Preserve creative works with care and precision

Broadcast and Mass Digitisation Solutions

Scale workflows for speed, consistency, and quality

Degraded and Damaged Media

Stabilise at risk media and recover content

Film

Scan, restore, and deliver film for production and reuse

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Protect privacy, cultural protocols, security, and access control

Mixed Media Collections

One workflow across formats, carriers, and metadata

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5 January 2026

When preparing to digitise your audiovisual collection, get clear on the why.

When preparing to digitise your audiovisual collection, get clear on the why.

For any organisation with a film, video or audiotape collection that is considering digitising some or all of its content, one of the first key steps is to clearly think through and delineate the reasons why digitisation is right for that particular audiovisual collection. There may be many reasons why an organisation might choose to embark on an audiovisual digitisation project; these reasons can all be broadly grouped into three key drivers – access, commercialisation and preservation.

While these are not mutually exclusive, it is important for your organisation to understand what it wants to get out of the project and prioritise those outcomes. For example digitising to commercialise your collection will potentially result in file requirements widely different to a preservation objective. Or you may want to achieve all three objectives from the project, which would have a different set of implications.

Defining the drivers of a digitisation project underpins the successful and cost-effective management of the audiovisual digitisation process, and can assist you in maximising the investment you make to share and access your collection.

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