Services

Audiovisual Digitisation

Digitising video, sound and film collections

Collection Management - SmartARC

Enabling discovery, use, and reuse of your digitised collections

Content Modernisation

Improving content through digital restoration, conversion, and enrichment

Data Migration

Saving files from obsolete drives, discs, and digital carriers

Digital Preservation

Keeping digital files organised, authentic, and ready for the future

Work With

Broadcast & Production

Technical workflows for ingest, archive, restoration, and re delivery

Education

Support teaching and research with accessible, well-described collections

GLAM Sector

Digitise, preserve, manage, and provide access to cultural collections

Government and Corporate

Secure, compliant services for records, risk, and long-term access

Sport

Preserve, manage, and activate sporting archives for reuse and rights

Small Archives & Organisations

Right-sized services for smaller collections, budgets, and teams

Solutions

Access and Preservation

Keep content secure, organised, and ready to use

Artwork Collections

Preserve creative works with care and precision

Broadcast and Mass Digitisation Solutions

Scale workflows for speed, consistency, and quality

Degraded and Damaged Media

Stabilise at risk media and recover content

Film

Scan, restore, and deliver film for production and reuse

Handling Sensitive Collections

Protect privacy, cultural protocols, security, and access control

Mixed Media Collections

One workflow across formats, carriers, and metadata

About

About DAMsmart

Who we are, what we do, and why it matters

Our Facilities

Secure sites, specialist rooms, and scalable capacity

Blog

Stay connected for relevant insights on AV preservation.

5 January 2026

IASA publishes IASA-TC 05.

IASA publishes IASA-TC 05.

There is an ever-decreasing time window to complete the digitisation process for AV material before the small pool of equipment in operable condition required for the replay of traditional formats vanishes. Today, this window is estimated to be between 10 to 15 years, which makes the provision of optimal storage conditions imperative.

IASA-TC 05 describes the main recording principles of sound and audiovisual carriers – mechanical, magnetic, and optical – their components, physical and chemical stability, and their vulnerability. Handling and environmental influences are discussed and recommendations are given for proper storage. It contains vital information about extending the life of the physical carrier and ensuring responsible care for its integrity, and as such fills a critical need in the complete understanding of managing a collection of sound and audiovisual materials.

TC 05 brings together the extensive knowledge and expertise of Dietrich Schüller and Albrecht Häfner, and was actively reviewed and supplemented by the IASA Technical Committee. TC 05 provides information that complements and supports IASA’s guidelines on digitisation, and so ensures that the carriers are conserved in the best possible condition for eventual replay and digitisation. For more information: www.iasa-web.org

Other blogs

Explore More

Let’s work together to make your stories of the past, part of the future.

Request a Quote